Put simply, the entire design of both Khufu's and Khafre's burial chambers, appears to have been determined according to an underlying plan based upon the square root of three. This plan accounts for the positioning of the "Star Shafts", the dimensions of the sarcophagii in both chambers, and the door size and position of Khafre's chamber.

By itself this was pretty radical, but when I compared the chamber designs with the groundplans of `The Sanctuary', and Stonehenge, it emerged that these two circular megaliths were also designed to a similar geometric pattern. Specifically that their ring positioning can be determined and predicted, by a mathematical addition series based upon root three, with additions and subtractions in multiples of one half.

For the first time there is unequivocal evidence that the Wessex megaliths of Stonehenge and "The Sanctuary" were designed with exactly the same geometric principle as the burial chambers of Khufu and Khafre.The evidence, its explanation, and its consequences have been written in a book entitled "The Geometry of the Sun God" , which was published by Paean Books in February 2005. On this site you will be able to see a small sample of the Geometry for yourself.

Click here for details of how to obtain a discounted copy of the book!

That two widely dispersed and geometrically sophisticated cultures both evolved a religious style based on the same principle of numbers at the very dawn of what we may term architectural thought is revolutionary. Yet it is the presence of such geometry that will prove the most controversial aspect of this research, as acceptance of its validity, will inevitably lead to a radical re-assessment of the intellectual capability of Neolithic men and women; and nothing less than the revision of the accepted scientific history of geometry and mensuration.